

About 2 months ago I posted about my tattoo dreams. I wanted a tattoo and finally felt like I was a place in my life and with my decision that it would never be a regret. I have issues with making big life decisions (I don't even dye my hair, folks), but I felt I could make one, even if that decision was something as silly as getting a tattoo.
Whenever I thought one day several months ago about getting a tattoo, and came up with the idea of getting a compass, I knew that was it. A compass tattoo would be perfect.
But I didn't want some gaudy nautical compass scrawled across my arm. I wanted something somewhat delicate and feminine. A compass, but understated.
So I began designing, and came up with these:

I started doodling them on my left wrist, which is where I had planned on getting it placed forever, and everytime I doodled it got bigger. And bigger. And slowly started moving up my arm.
I knew at this point that it was time for me to talk to a professional.
As a picky designer, I searched states for the perfect tattoo artist. I googled tattoo artists in every state in the southeast, and must admit that I even googled Las Vegas, because, come on, how cool would it be to jet-set to Vegas to get tattooed. And then go see Thunder from Down Under.
I ended up going with an artist in Mountain City, TN, only an hour from here, at his studio called Mark of Cain, because he did the most amazing line work I have ever seen. And he has a respect for his craft that I really can appreciate. I mean, he won't even tattoo you without coming in for a consultation days before you get inked. He also does everything free-handed. No stencils at all.
I went over 2 weeks ago for a chat, looked at his portfolio and studio, and talked about what I wanted to do. We talked about shading options, as I was completely into either getting dotwork or an engraving style. He tried to talk me into getting regular shading done, and we talked about the overall design.
I went home that night, and for the next few days, designed and researched obsessively. I realized fairly quickly that I hated traditional shading, but didn't want the dotwork or engraving to age badly. And I came to the conclusion that I just wanted some really awesome, simple and delicate linework, and this is what happened:
